Albrecht Dürer, Allegorie des Geizes, 1507
Quelle – P.T. Barnum’s Feejee mermaid from 1842
Mermaids had been presented at shows for centuries. These were often dugongs or people afflicted with sirenomelia. During the Renaissance and the Baroque eras, the remains of mermaids were a staple of cabinets of curiosities. However the exhibit which created the Fiji mermaid concept was popularized by P. T. Barnum, but has since been copied many times in other attractions, including the collection of Robert Ripley. The original exhibit was shown around the United States, but was lost in the 1860s when Barnum’s museum caught fire. The exhibit has since been acquired by Harvard University’s Peabody Museum of Archaeology and Ethnology and is currently housed in the museum’s attic storage area.
The Fiji mermaid came into Barnum’s possession via his Boston counterpart Moses Kimball, who brought it down to Barnum in late spring of 1842. On June 18, Barnum and Kimball entered into a written agreement to exploit this „curiosity supposed to be a mermaid.“ Kimball would remain the creature’s sole owner and Barnum would lease it for $12.50 a week. Barnum christened his artifact „The Feejee Mermaid“. In Barnum’s exhibit, the creature was allegedly caught in 1842 by a „Dr. J. Griffin.“ Griffin was actually Levi Lyman, one of Barnum’s close associates.
Sascha Schneider „Der Mammon und sein Sklave“
Holzstich. Aus der Reihe „Meisterwerke der Holzschneidekunst“, Verlag J. J. Weber, Leipzig.
William Blake „The examination of Hiob: Satan pours on the plagues of Hiob“, 1826–1827
Powell Burns – Bettina Bejeweled